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In his earlier drawings, Rodin had dissipated the body in single parts, defined by heavy black outlines. His graphic work dealt with death, sorrow, doubt, pain and struggle, the tension between inner impulse and outer constraint. Instead of drawing from imagination or constructing the figure from single elements, Rodin now does not take his eye from the model, his pencil resting on the paper: "Now look. What is this drawing.
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